Call for Papers
Disability and Illness in Children’s Literature

Children’s literature, Lois Keith argues, has long tended to use disability and illness as metaphors, as “devices to bring the character through a period of trial and desolation into the bright light of resolution and a happy ending” (2001, 194). Where they are depicted at all, disabled and ill characters have mainly been described in terms of pity, their physical or psychological difference has been portrayed as a punishment for a transgression, or euphemistically glossed over altogether. Over the course of the last decade, however, a decided shift in the quantity and quality of children’s books featuring disability and illness has occurred, and an exciting trend seems to be emerging: the number of disabled characters in children’s literature is increasing and so is their psychological depth. From The Curious Incident of the Dog in the Night-time to The Fault in Our Stars, there are more narratives featuring disability and illness, and those texts tend to be more authentic, varied, and positive about non-normative characters.

interjuli 01/17 will deal with Disability and Illness in Children’s Literature. Possible aspects thereof are:

• Intergenerational aspects of disability and illness in children’s literature
• Children’s literature’s negotiations of disability and illness in the course of history
• Concerns for age appropriateness in disability and illness narratives
• Illness, disability, and health in non-fiction
• Fictions of “normalcy” and bodily deviance
• Disabled characters between victims and supercrips
• Problematizing inspirational narratives
• Disability and illness writing as problem literature
• Disability culture and the disability rights movement in children’s literature
• Disability and illness media as tools in medical settings

Please send in your manuscripts by August 1, 2016. Guidelines concerning formatting and editing standards will be sent out upon request and can be found at www.interjuli.de.

interjuli is an open access interdisciplinary journal dedicated to the research of children’s literature.

Call for papers
Children in World Cinema

Call for submissions to a collection that examines the child in World (non-Western) cinema. Many studies of the child character in film, or films made for children, too often focus on Western cinema and Western models of childhood. This collection seeks to broaden the discussion of the child image by close analysis of the child and childhood as depicted in non-Western cinemas. The child image in non-Western cinema provides a broad landscape in which notions of the child and childhood take on varied meanings. This collection seeks to offer a counter-narrative to Western notions of childhood as depicted in film. We seek contributions that examine the child image in cinemas from Africa, Asia, South America, India, Australia, and the Middle East. While there are numerous important, empirical, data-driven studies about real children and conditions of childhood in non-Western regions, we seek essays that examine the child image and its philosophical, theoretical, historical, political, or cultural meanings as they appear in cinema.

Some topics include (certainly not limited to):

• children and innocence
• images of child soldiers
• coming of age narratives
• children and geographic space
• children/childhood and modernity
• children and technology
• local vs. global childhood
• children and knowledge acquisition
• children as political agents/actors
• the child in war or revolution
• children and sexuality
• children and labor
• child agency
• negotiations by children of racial/ethnic/cultural differences
• negotiations by children of social, political, economic conditions
• children’s relationships with adults, parents, siblings, or peers
• gender and children
• children as refugees

Please submit a 500 word abstract, current contact information along with brief biography (or CV) as Word attachments Debbie Olson at Debbieo@okstate.edu by 31 July 2016. Authors will be notified by 31 August 2016. The deadline for finished essays (using Chicago notes and bibliography style) is 31 January 2017.

Debbie Olson, PhD, is Assistant Professor of English at Missouri Valley College. She has edited or co-edited a number of collections on children and popular culture, including Lost and Othered Children in Contemporary Cinema (2012), Portrayals of Children in Contemporary Culture (2013), Hitchcock’s Children: The Child in the Films of Alfred, and Children in the Films of Steven Spielberg. She is the founder/editor-in-chief of Red Feather: An International Journal of Children’s Popular Culture and Series Editor for Lexington’s Children and Youth in Popular Culture Series.

Call for papers
Children in American Television: A Changing Landscape

Call for submissions to a two-volume collection that interrogates the child image in popular post-WWII American television programming.

These volumes seek to trace the American cultural landscape and its impact on the ways popular television (re)imagined childhood and children during each decade. We invite submissions that examine either children’s programming or programs that prominently feature children. These volumes will explore how US television has been a significant conduit for the public consumption of changing ideas about children and childhood. Submissions will connect relevant events, attitudes, or anxieties in American culture to an analysis of children or childhood in American television programs. Each chapter will focus on an era or series, with volume 1 ranging from the 1950s to the 1980s and volume 2 ranging from the 1990s to 2010s. Submissions may also consider how international TV programs respond to, resist, or negotiate with American television portrayals of children and childhood. We welcome submissions from a range of disciplines and theoretical perspectives, including television studies, cultural studies, childhood studies, feminism, sociology and social history.

Below is a breakdown of each volume and examples of programming:

VOLUME 1:

1950s– Leave it to Beaver, Father Knows Best, The Adventures of Ozzie and Harriet (as myth of the perfect family/childhood), Howdy Doody, The Rifleman or children in the Western, Adventures of Superman, Mickey Mouse Club, Shirley Temple’s Storybook

1960s—counterculture childhood and youth, the rise of Black Power, civil rights, Sesame Street, Mister Rogers (and passive resistance), child rebellion, The Monkees, The Banana Splits, H.R. Pufnstuf, The Andy Griffith Show and Family Affair (as nostalgia for the 50s)

1970s–the era of Sid and Marty Krofft, The Partridge Family, The Brady Bunch, Fat Albert, The Harlem Globetrotters, The Jackson 5, Happy Days (1974-1984)

1980s–Eight is Enough, Full House, Growing Pains, The Cosby Show, The Wonder Years, Diff’rent Strokes, Punky Brewster, Fame, 21 Jump Street

VOLUME 2:

1990s–Rugrats, Beavis and Butt-Head, Ren and Stimpy, Family Matters, The Simpsons, South Park, Goosebumps, Ghostwriter, Dawson’s Creek

2000s– Hanna Montana, The Proud Family, Kim Possible, Dora the Explorer, anime influence

2010s– Big Bang Theory, Family Guy, Supernatural, SpongeBob SquarePants, My Little Pony (also the Bronies), The Legend of Korra, The Suite Life, Glee, Avengers, Jimmy Neutron

American TV on the International Scene–how international TV programs respond to, resist, or negotiate with American television portrayals of children and childhood.

In addition, there is scope to include movies written, directed and produced specifically for television e.g. Born Innocent (1974), Dawn: Portrait of a Teenage Runaway (1976), Something About Amelia (1984), I Know my First Name is Steven (1989), etc.

Please submit a 500 word abstract, current contact information, and a brief biography (or CV) as Word attachments to both Debbie Olson at Debbieo@okstate.edu and Adrian Schober at beatles9@optusnet.com.au by 31 July 2016. Authors will be notified by 31 August 2016. The deadline for finished essays (which should not exceed 10,000 words, inclusive of references, using Chicago notes and bibliography style) is 31 January 2017.

Adrian Schober has a PhD in English from Monash University, Australia, and is the author of Possessed Child Narratives in Literature and Film: Contrary States (Palgrave Macmillan, 2004). He has published widely on the child figure in journals such as Literature/Film Quarterly, The Journal of Popular Film and Television, The Journal of Popular Culture, The Lion and the Unicorn and Senses of Cinema. He recently co-edited (with Debbie Olson) Children in the Films of Steven Spielberg (2016) for Lexington Books’ Children and Youth in Popular Culture Series. He also serves on the editorial board of Red Feather: An International Journal of Children’s Popular Culture.

Debbie Olson has a PhD in English: Screen Studies from Oklahoma State University and is Assistant Professor of English at Missouri Valley College. She has edited or co-edited a number of collections on children and popular culture, including Lost and Othered Children in Contemporary Cinema (2012), Portrayals of Children in Contemporary Culture (2013), Hitchcock’s Children: The Child in the Films of Alfred and Children in the Films of Steven Spielberg. She is the founder/editor-in-chief of Red Feather: An International Journal of Children’s Popular Culture and Series Editor for Lexington’s Children and Youth in Popular Culture Series.

Call for Submissions
WRITING HOME: BATTLEFRONT AND HOMEFRONT, CHILDREN’S LITERATURE OF THE FIRST WORLD WAR

This special issue of The Lion and the Unicorn invites submissions focused on children’s literature of the First World War from a variety of international perspectives. Among other things, essays could focus on:

• Constructions of “home” and “front” as made by civilians and soldiers in poetry, prose, and illustrations
• The role of the coming centenary in modern reconstructions of the First World War
• The significance of local and national borderlands and boundaries, including conceptualizations and reconceptualizations of “no man’s land”
• Intersections of childish/adult patterns of language in the war poetry of young soldiers such as Robert Graves, David Jones, Wilfred Owen, and Siegfried Sassoon
• Collisions and explosions of memory and experience in experimental writing
• Responses to the war in the children’s literature of neutral countries
• American representations of the Great War, both before and after April 6, 1917
• Escape narratives written by or about children
• Child heroism narratives, including propaganda narratives of domestic heroism such as participation in victory gardens and scrap collection
  efforts
• Limitations of language in writing about “unspeakable events” for children, particularly in the nonfiction texts that have been marketed to popular audiences or to classrooms
• Visual representations of the First World War in graphic novels, including work by Jacques Tardi and Jean-Pierre Verney, Joe Sacco and Adam
  Hochschild, Wayne Vansant, Pat Mills and Joe Colquhoun
• The reshaping of personal and national memory and identity in children’s war narratives
• The influence of militarism and pacifism on war narratives and propaganda narratives at different stages of the war

Essays should be approximately 8,000 words in length. Please email your essay as a Word attachment to Dr. Jacquilyn Weeks at weeksja@me.com by July 1, 2016. Accepted essays will appear in the 2017 issue. For further information regarding publication details, particularly with regard to the use of illustration, please contact Dr. Hazel Sheeky Bird at hazelsheekybird@gmail.com.

ChLA/MLA Session Call for Papers
January 4-7, 2018, New York, New York

Each year, the Children’s Literature Association is guaranteed one session at the MLA and can submit proposals for up to two more.* If you would like to propose a session topic, by June 5, 2016, please send to the ChLA/MLA Liaison (Kate Slater: slaterk@rowan.edu):
(1) a short description of your proposal idea, and, if relevant,
(2) the name of another MLA-affiliated entity (forum or allied organization) you plan to seek as a co-sponsor.

The ChLA Board will examine the proposals and select the top three (one guaranteed, plus two additional**) for submission to the 2018 MLA Convention, held in New York City, January 4-7.

*If ChLA chooses to submit two additional sessions, one of those sessions must be a collaborative session with another entity (forum, allied organization, etc.).

• MLA forums: https://www.mla.org/Membership/Forums
• MLA allied organizations: https://apps.mla.org/orginfo_directory

**The proposals for the two additional sessions are not guaranteed and will be reviewed by the MLA Program Committee. Please see the Planning a Convention Session page of the MLA Web site (https://www.mla.org/Convention/Planning-a-Convention-Session) for further details.

Call for papers
Childhood Spaces and Material Culture in Latin America (XIX and XX Centuries)

Secuencia: Revista de Historiay Ciencias Sociales, edited by the Instituto de Investigaciones Dr. José María Luis Mora, contributes to its field of expertise by occasionally publishing special themed editions coordinated by senior researchers in addition to its regular editions. These editions are a collection of original papers which, due to their thematic affinity, address certain issues from a specific point of view, allowing for deeper analysis of certain topics.

On this occasion, specialists are invited to submit research papers that are unedited, original and have been produced as a result of the evaluation of primary sources, to be included in the special edition on the topic of: “Childhood spaces and material culture in Latin America (19th and 20th centuries)” coordinated by Dr. Beatriz Alcubierre Moya and Dr. Susana Sosenski, which will be published in January 2018.

Over the past decade, the study of childhood has begun to make headway in the field of Latin American historiography in an increasingly instrumental way, establishing its independence from other academic traditions such as the history of education and the history of the family. This has given rise to the adoption of a wide variety of approaches, framed between social and cultural history, which allow issues to be addressed such as the construction of the concept of childhood, the definition and redefinition of age groups, and the development of sex-generic identities. In addition, links have been determined with very current topics such as health, demography, homelessness, crime, discrimination, violence, bullying, employment, gambling and consumerism among many others.

Given the number of topics that are directly and indirectly linked to the history of childhood, this call for papers is limited to a specific line of study. The special edition of Secuencia will be dedicated to the analysis of the spaces and material culture that were designed, constructed and developed for children in Latin America during the 19th and 20th centuries: amusement parks, shopping malls, schools, libraries, and children’s rooms in addition to objects, furniture, books, magazines, clothes, toys and so on, which led to the reshaping of the notions of childhood and child practices. All of this was framed in political, economic and social contexts largely determined by the development of the consumerist society. The objective of this dossier is to compile a collection of papers which discuss the relationship between spaces, material culture and childhood in the creation of everyday life and child identities in the Latin American context, contributing to the development and consolidation of a historiographical tradition focusing on the study of childhood.

The papers must adhere to the guidelines of the journal Secuencia (regarding length, academic quality and publishing criterion), available for consultation at the following website: http://secuencia.mora.edu.mx/index.php/Secuencia/pages/view/Para%20Autores

The deadline for the submission of papers is November 30 2016. Papers will be submitted to a double-blind review. The entire process of the reception of papers and reviews will be carried out by the OJS publishing administrator. The coordinators responsible for this special edition will conduct a previous selection of papers before submitting them for review with the help of Secuencia journal’s Editorial Committee. The result of the review is not open to appeal. Those papers which are not selected for publication in the special edition will be considered for a regular issue of the journal.

Email: secuencia@institutomora.edu.mx

Contact Info:
Susana Sosenski (sosenski@unam.mx)

URL: http://secuencia.mora.edu.mx/index.php/Secuencia/pages/view/Convocatoria%20n%C3%BAmero%20especial